Freedom by Sebastian Junger

 

Freedom by Sebastian Junger is first and foremost a Quest or Journey Away, an adventure leaving home.  Junger and his friends walk the railroad tracks that connect Harrisburg and Pittsburgh, Pennsylvania.  The fast-moving narrative takes the reader northwest up the Juniata River valley beginning where it joins the Susquehanna River, then at the headwaters of the Juniata turns southwest along the freight and passenger line that passes through Altoona's Horseshoe Curve on the way to Steel City. 

As the group strides alongside the tracks, we learn about the mechanics of long-distance walking, including why the spacing of the ties makes it so difficult to walk on the wooden crossties that support the steel rails.  

Before the path along the river was railroad right of way, it was a trail used by settlers moving west and the tribes who lived on the land before them.  Junger tells us some of history of the tribes and how they fought and allied with settlers. We also learn the history of tribes and individuals far from Pennsylvania. There is a long section on the Apache on the US-Mexican border.

One of these narrative asides describes how George Washington is reputed to  have started the French and Indian War. In 1754 Washington led an attack on a French detachment at what became known as Fort Necessity. Washington won the skirmish. The French surrendered, but the Mingo tribesmen led by the warrior known as the Half King slaughtered and scalped some of the French.  What became the Seven Years War arguably began with that battle and its bloody aftermath.  

The narrative is interspersed with meditations on what it means to be free in modern America and back through the history. 

On the history of freedom versus the modern democratic world:

“For most of human history, freedom had to be at least suffered for, if not died for, and that raised its value to something almost sacred. In modern democracies, however, an ethos of public sacrifice is rarely needed because freedom and survival are more or less guaranteed. That is a great blessing but allows people to believe that any sacrifice at all--rationing water during a drought, for example--are forms of government tyranny. They are no more forms of tyranny than rationing water on a lifeboat. The idea that we can enjoy the benefits of society while owing nothing in return is literally infantile. Only children owe nothing.”

On leaders who exploit their freedom:

“But in any society, leaders who aren’t willing to make sacrifices aren’t leaders, they’re opportunists, and opportunists rarely have the common good in mind. They’re easy to spot, though: opportunists lie reflexively, blame others for failures, and are unapologetic cowards.”

Wealth erodes freedom:

“Wealth is supposed to liberate us from the dangers of dependency, but quickly becomes a dependency in its own right. The wealthier we are, the higher our standard of living and the more—not less—we depend on society for our safety and comfort.”

On the freedom of the journey at the center of Freedom:

“We walked around four hundred miles and most nights we were the only people in the world who knew where we were. There are many definitions of freedom but surely that is one of them.”

On freedom and power:

“The central problem for human freedom is that groups that are well organized enough to defend themselves against others are well organized enough to oppress their own. Power is so readily abused that one could almost say that its concentration is antithetical to freedom.”

"War" by Sebastian Junger--Reading the Book 15 Years After I Saw the Movie

 

In August of 2010, eight months after I returned from Iraq, I went to see the documentary Restrepo with Jim Dao of the New York Times.*  Restrepo records the the men of 2nd Platoon of Battle Company, airborne infantry on the farthest outpost in the midst of the worst fighting in the War in Afghanistan.  The movie was filmed and directed by Sebastian Junger and Tim Hetherington. 

I wrote briefly about seeing the movie in 2010. War documentaries can be slow, wanting to get every detail right. Restrepo roars from one scene to the next. Hetherington and Junger captured moments when everyone around them was in a fight for their lives--they were armed only with a camera.  Even the moments of boredom had the feral, roaring feel of men waiting for a fight as if chained.  

And the candor, especially of the officers in charge of 2nd Platoon and Battle Company was amazing.  The default setting for talking to the press in the military is STFU (Shut the Fuck Up).  Most soldiers I have known hate the media. When I first served during the Vietnam War soldiers felt outright betrayed by the media.  

The officers and men said what they really thought. I would not have believed the candor if I had not seen it.  

Now fifteen years after seeing the movie, I read Junger's book War based on the same year in the Korengal Valley of Afghanistan plus follow up with the soldiers of the Restrepo outpost.  

I have not seen a more visceral or candid documentary of any war. I would recommend the movie to anyone. The book had me laughing out loud at some points and then reading page after page never able to stop in the middle of a patrol or fire fight.  Usually I like either the book or the movie better (usually the book). In the case of the HBO series Band of Brothers I much preferred the series to the book. 

By contrast, War and Restrepo they are companions. I would watch Restrepo first simply to feel the rush of the story then read War to linger on the words and the detail.   

In 2011, I volunteered to go to Afghanistan. The deployment orders fell through, certainly for the better. War was published in May 2010.  I intended to read the book after seeing the movie, but forgot about it in the rush of life after returning from Iraq. In retrospect, if I had read the book I would have better understood why I wanted to go back and why I should not.

In October of last year, I met Junger at a conference where he was a featured speaker.  He spoke about his book Tribe which is very much informed by War and Restrepo.  The conference was on Tribalism and Cosmopolitanism at the Hannah Arendt Center at Bard College. We had lunch together and talked about the Army, deployment, Army food, and how strange it was to return to the "real world" after war. And about how funny and terrible Army jokes are. 

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*Dao was the war correspondent of the Times and in the middle of a long-term assignment covering the 10th Mountain Division on a year-long deployment to Afghanistan.  The 10th Mountain is stationed at Camp Drum, New York.  Dao's coverage of a year at war is here. 

Tribe by Sebastian Junger -- The Ancient Roots of Many Problems of the Modern World

In October, I went a conference on Tribalism and Cosmopolitanism.  The first and featured speaker was Sebastian Junger, author of seven books that, in part, describe the lives of modern tribes in America including soldiers, commercial fishermen, and others who risk their lives in their work.  Junger said, "The real and ancient meaning of tribe is the community that you live in, that you share resources with, that you would risk your life to defend."

He is also the co-director with Tim Hetherington of the documentary Restrepo, the record of a year with soldiers on one of the most dangerous outposts in Afghanistan. The soldiers of Battle Company, 2nd of the 503rd Infantry Regiment 173rd Airborne Brigade Combat Team are the definition of a tribe.

Humans as a species are tribal.  Forming tribes and living as tribes describes most of human history. In the book, Junger shows that people who live without tribes, without the community and deep connections tribes afford, are adrift and often unhappy without knowing why.  

Junger said it was a commonplace in frontier America that people who went from civilization to Native American tribal life did not come back.  Whatever civilization could offer, those who left would not return. 

As I read the book, I felt I was learning the secret code of my life--the yearning for a tribe.  I grew up in a Boston suburb in the 1950s and 60s, not connected to extended family or religion or even a sports team.  I joined the military shortly after high school graduation in 1971 and loved being part of a group with a mission. I got out after being blinded in a missile explosion, but healed completely and re-enlisted within a year.  

After three years as a tank commander on the East-West border, I got out, went to college, got a professional job, then a quarter-century later re-enlisted and deployed to Iraq for a year.  That deployment ended 15 years ago this month.   

In an odd twist, I saw Restrepo right after it was released in late June 2010 in an NYC theater, a few months after I returned from deployment.  I walked out of the theater and wanted to go to Afghanistan.  

Belonging to a tribe has been normal for we humans in all of recorded history and before.  The cosmopolitan drive in us allows great learning, great invention, modern medicine and all the wonders of the modern world, but it does satisfy our need for deep human connection.  Tribes do that. Tribe, the book, explains the history and present reality of the tribal impulse in our lives.

Hannah Arendt Center Conference 2024: Tribalism and Cosmopolitanism, 1st Morning

 

On October 17 and 18 the Hannah Arendt Center at Bard College held its annual conference. This year's topic was Tribalism and Cosmopolitanism: How Can We Imagine a Pluralist Politics? 

Hannah Arendt Center Founder and Academic Director Roger Berkowitz introduced the topic of the conference. He began with his own tribal connections: his family, his Jewish faith, and other close-knit groups. As a cosmopolitan he has "passport stamps from many countries" where he has friends and family and colleagues in addition to writing books and articles and being part of intellectual communities: a cosmopolitan with many tribes.

He then talked about the conflict between those committed to a cosmopolitan view of the world and those who see humans through a tribal lens.  I would try to summarize, but the opening speech of the conference is the latest episode of the Reading Hannah Arendt podcast so anyone so inclined can listen to the Roger's opening remarks.

The first speaker was Sebastian Junger, like Berkowitz, embodies the title of the conference.  

As a cosmopolitan, he has written seven books, earning #1 on the New York Times Bestseller list, and numerous articles earning a National Magazine Award and a Peabody Award and a Peabody Award.  His documentary film Restrepo (with co-director Tim Hetherington) won a Grand Jury Prize at Sundance and was nominated for an Academy Award.

But the central subject of his writing is tribalism. His book Tribe explores the lure of tribalism and its place in modern life. Junger said the definition of a tribe is "What happens to you happens to me."  The willingness to die for fellow tribe member is another mark of a tribe.   

War and the film Restrepo show the life of an Army company defending the most exposed outpost in the Korengal Valley of Afghanistan. Soldiers form a tribe. In Restrepo one of the soldiers says that guys who hate each other's guts would risk their lives for each other. 

I saw Restrepo just after returning from a year's deployment to Iraq in 2010.  I have not seen a better or more candid documentary of war, any war, than Restrepo. 

Just after the conference I read Junger's book The Perfect Storm the story of the commercial fishing boat Andrea Gail lost with all hands in a terrible storm in 1991.  Junger describes the tribe of the people who fish for a living and the dangers they face.  We also see the rescue services of the Coast Guard and the Air National Guard saving the lives of doomed boats in the terrible storm. We also learn about the rescuers lost and terribly injured during the rescues. The end of the book follows those dealing with the loss of loved ones in that terrible storm.  War and disaster always have this long tail of family and communal suffering. Junger shows us the many struggles of thos left behind.

I will have to leave the rest of the conference for another post.  This post is already very long and long after the event.

The Perfect Storm by Sebastian Junger: The story of a terrible storm and tragedy at sea.

 

The Perfect Storm: A True Story of Men Against the Sea by Sebastian Junger is a real page-turner story about a Gloucester-based fishing boat, the Andrea Gail, that disappeared in a historic storm in late October in 1991. There were no survivors. There was no wreckage except a few fuel drums found on the sea long after the Andrea Gail disappeared.  

Junger tells the story of the disaster from the recollections of the crew members of ships that survived the storm, from viewpoint the survivors of an ill-fated rescue attempt of another boat in the same storm, and from the perspective of the families of the survivors.  

The book opens introducing the members of the crew of the Andrea Gail and their families and friends.  Junger shows us the life of a fisherman. Swordfish boats like the Andrea Gail could make a lot of money for their crews and money was the reason most of the men took the risk of fishing.  

We learn how dangerous fishing for swordfish can be. The line used to catch the fish goes out with thousands of hooks, baited just before they enter the water.  These hooks can snag and drag a fisherman right off the boat and into the sea when the line run over the side, and is equally dangerous when the line is pulled back on board--with or without many big, angry swordfish on the line.

Junger explains the physics of flipping and sinking a boat in a storm. He also explains how differences in the placement of pilot house and other factors could affect the way the ship weathers storms.  In addition to the physics of boats, we learn about the formation of waves and the storms that toss the waves higher and higher.

As the Perfect Storm develops in the area where the Andrea Gail is lost, Junger shows how search and rescue works along the US and Canadian coasts.  The US Guard works with Air National Guard and Navy units to rescue crew members of boats in distress.  I learned a lot about how the services coordinate their different capabilities depending on the distance and scale of the disaster.  The US and Canada coordinate with each other in the disasters that involve the international waters of both countries.

In the aftermath of the storm, the families grieve and struggle with the loss of the crew of the Andrea Gail as well as the Air Force pararescue swimmer lost when a rescue helicopter went down.  

Although I've never been out to sea further than a fishing boat near Boston harbor, I am fascinated with sailing ships.  I've read all of Patrick O'Brian's Master and Commander novels and Ian Toll's histories of the war in the Pacific theater of World War II. The Perfect Storm gave me a new perspective on just how dangerous life on the sea can be, even without the ships involved firing cannons at each other.

For anyone interested in the life of the crews of fishing boats, or of fishing towns like Gloucester, Mass., or the physics of waves, ships and the weather, this book has excellent explanations wrapped in a compelling story. 

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In 2012 Victoria Hislop of The Independent (UK) began her review of the book with the same enthusiasm I felt: 

I learned two things while I was reading this book. First, that true stories can be more exciting and extraordinary than fictional ones. And second, that the best books are the ones where you are glued to your seat. This is how it was with The Perfect Storm.

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A passage on drowning that made my own terror of death in the water vivid, while explaining precisely how our bodies react as death approaches:

"The instinct not to breathe underwater is so strong that it overcomes the agony of running out of air. No matter how desperate the drowning person is, he doesn't inhale until he's on the verge of losing consciousness. At that point there's so much carbon dioxide in the blood, and so little oxygen, that chemical sensors in the brain trigger an involuntary breath whether he's underwater or not. That is called the "break point"; laboratory experiments have shown the break point to come after eighty-seven seconds. It's a sort of neurological optimism, as if the body were saying, Holding our breath is killing us, and breathing in might not kill us, so we might as well breathe in...Until the break point, a drowning person is said to be undergoing "voluntary apnea," choosing not to breathe. Lack of oxygen to the brain causes a sensation of darkness closing in from all sides, as in a camera aperture stopping down. The panic of a drowning person is mixed with an odd incredulity that this is actually happening. Having never done it before, the body--and the mind--do not know how to die gracefully. The process is filled with desperation and awkwardness. 'So this is drowning,' a drowning person might think. 'So this is how my life finally ends.'"