A Visit to the Orangerie in Paris

Almost a year ago, I was in Paris and visited the Orangerie Musee on the north bank of Seine  in the Tuilleries Garden. The featured exhibit was the work of David Hockney in his pandemic year in Normandy.

Vogue  magazine wrote about the exhibition:

Normandy through David Hockney's eyes at the Musée de l’Orangerie

Four years after the exhibition devoted to him at the Centre Pompidou, David Hockney is coming to the Musée de l'Orangerie from October 13, 2021 to February 14, 2022. From the window of his house in Normandy, the painter tells of the tireless cycle of nature and the long-awaited arrival of spring.

The successive lockdowns of the past few months have had many facets, whether they be boring, solitary or creative. For David Hockney, this period brought the opportunity to create a titanic work, conceived over an entire year spent in France. Since 2019, the British artist has been living in Normandy, in a quiet house with a garden that he can observe from his window. He then had the idea of using this peaceful view to create his next work. No sooner had the cycle begun than the first lockdown in March 2020 was announced. Gone were the Californian swimming pools, with the painter choosing to devote himself to an atmosphere rooted in the French landscape. Armed with his iPad, David Hockney sets about representing the changes in nature, and its colours and textures. His inspiration? The seventy-meter long Queen Matilda Tapestry, which he observed during his visit to the Bayeux Museum. This frieze relates the conquest of England by William, Duke of Normandy, and makes the 83-year-old painter want to tell the story of the arrival of spring.

Spring will always come back

The ban on going out, gathering in groups, or crossing borders will never change one thing: the world continues to turn and the seasons continue to pass. Confined to his house in Normandy, David Hockney created a frieze painted on an iPad, measuring eighty meters in length and depicting the unchanging renewal of nature. While our modern world stands still, digital painting allows Hockney to quickly and accurately create more than a hundred images. From the nuanced shades of green in the trees to the flow of the river in its bed to the pop of flowers that spring with the arrival of the warm weather, the exhibition A Year in Normandy reminds us that after humanity, the world shall remain. Displayed in the main gallery of the Musée de l'Orangerie, the frieze is reminiscent of Claude Monet's water lilies, which are housed in the same building. While the museum continues to keep the details of the event secret, we can expect a visit to the Pays d'Auge through Hockney's eyes, as seen in the intimate tour My Normandy, organised by the Lelong Gallery a few months ago. This artistic return is already considered to be the most anticipated exhibition of the year. 

While there, I also saw some of the water lilies paintings of Claude Monet done at the gardens in Giverny. 

Paintings by Claude Monet

The street just outside Musee Orangerie