Showing posts with label Civil War. Show all posts
Showing posts with label Civil War. Show all posts

Thursday, December 18, 2025



Michael Shaara’s The Killer Angels is one of the war novels that improves with rereading—not because it grows more comforting, but because it grows more unforgiving. I first read it in 1980, just after leaving active duty in the U.S. Army, having spent years as a tank commander training for a war that everyone assumed would be fought on the East–West border in Germany. I read it because a friend recommended it. I was expecting a good historical novel. Which it is, and much more. It is a study in command failure, moral and physical courage, and the limits of men who have more trust in faith than reason.

Shaara’s great achievement is that he makes Gettysburg intelligible without making it heroic. The novel is built around a small number of viewpoints—Lee, Longstreet, Chamberlain, Buford, and a few others—and that restraint is its strength. Each man is intelligent. Each is serious. And yet the catastrophe unfolds anyway. There is no incompetence big enough to explain the slaughter. That is what makes the book unsettling. War here is not chaos; it is order pushed to the point of failure by men who believe too much and reason too little.

After reading the book in 1980, I went to Gettysburg and walked the field. Anyone who has done that knows the moment of disbelief Shaara keeps circling. Pickett’s Charge—an infantry assault across nearly a mile of open, rising ground against entrenched troops behind a stone wall—is not just tragic; it is tactically insane. Having spent years training in German terrain, rehearsing attacks and defenses down to the last contour line, I could not make it make sense. Shaara doesn’t try to justify it. Instead, he explains it, which is something else entirely.

Lee emerges as the most troubling figure in the book. He is dignified, paternal, deeply religious—and disastrously wrong. Shaara portrays him as trapped by his own past successes and by a vision of honor that no longer matches reality. Lee believes his men are invincible because they have been before. He believes moral force can substitute for artillery, terrain, and logistics. This is not villainy; it is worse. It is faith masquerading as judgment.

Longstreet, by contrast, feels like a modern officer stranded in the wrong war. He understands defense. He understands firepower. He understands that attacking fortified positions is madness. Shaara gives him the clearest moral voice in the novel, and the most painful one. Longstreet knows what will happen, says so repeatedly, and is overruled. Any soldier who has watched a bad plan move forward because rank demands obedience will recognize this dynamic immediately.

On the Union side, Joshua Lawrence Chamberlain provides the book’s narrow beam of light. His stand on Little Round Top is deservedly famous, but Shaara resists turning it into a simple triumph. Chamberlain’s decision to fix bayonets is not glorious—it is desperate. The men are exhausted. Ammunition is gone. The choice is not between victory and defeat but between annihilation and a slim chance to survive. That distinction matters, and Shaara never lets us forget it.

What makes The Killer Angels endure is that it refuses to flatter the reader. It does not celebrate war, and it does not reduce it to absurdity either. It insists that intelligent, honorable men can make catastrophic decisions and that those decisions, once made, grind forward with terrible momentum. The book understands something soldiers learn early: bravery does not cancel bad terrain, bad intelligence, or bad orders.

Standing at Gettysburg after reading Shaara, the landscape itself becomes an argument against romanticism. The slope is real. The distance is real. The stone wall is real. And the idea that courage alone could overcome those facts feels not noble, but grotesque. Shaara knew that. The Killer Angels is not about why men fight so well. It is about why they die so predictably when leadership confuses belief with reality.



Friday, October 24, 2025

And There Was Light: A biography of President Abraham Lincoln by Jon Meacham



Jon Meacham’s And There Was Light: Abraham Lincoln and the American Struggle is not a sentimental biography. It’s a clear-eyed account of a man and a nation wrestling with the moral contradictions at the heart of American life. Meacham presents Lincoln not as a saint of progress, but as a politician who learned, through suffering and conviction, that compromise could no longer sustain a republic half slave and half free.

From the first chapters, Meacham emphasizes that slavery was never simply an economic institution—it was the foundation of an entire worldview. The Confederacy did not secede merely to preserve local control or tariffs. It fought to protect and expand a slave empire that its leaders believed divinely ordained. Southern visionaries spoke openly of a future stretching from the Caribbean to South America, with slavery in Cuba, Central America, Mexico, and even Brazil. The “Golden Circle,” as some called it, would extend the plantation system across the tropics and cement white supremacy as the natural order of civilization.

This dream was justified from the pulpit as well as the legislature. Meacham quotes Baptist and Presbyterian preachers who cited Scripture to defend bondage as the will of God. In their theology, slavery was not an evil tolerated for economic necessity—it was a moral good, proof that a benevolent hierarchy governed both heaven and earth. To challenge it was to challenge divine design. The Confederacy saw itself as the Christian republic, the true heir of America’s founding virtues, while the industrial North was portrayed as godless, materialist, and corrupt. In that sense, the Civil War was as much a religious conflict as a political one—a contest between two competing revelations of what it meant to be American.

Against this moral certainty stood Abraham Lincoln, who had despised slavery since childhood. Born into frontier poverty, he grew up in the rough equality of laboring men and absorbed from the start that no human being should own another. Yet Meacham shows that Lincoln was not an abolitionist by temperament. He was cautious, pragmatic, and devoted to the Constitution’s framework of compromise. For decades, he believed slavery could be contained and would die of its own contradiction. But the South’s determination to spread bondage beyond its borders shattered that illusion.

The heart of Meacham’s book lies in tracing how Lincoln’s moral clarity slowly overtook his political caution. Through the 1850s and early 1860s, he balanced on the knife edge between law and justice, between holding the Union together and confronting the evil that threatened to define it. By the summer of 1862, he concluded that emancipation was not a radical measure but a national necessity. The Proclamation that followed transformed the war from a struggle over secession into a crusade for human freedom.

Meacham contrasts two visions of America that clashed on the battlefields of the Civil War. The South, he writes, saw the nation as defined by the Constitution of 1787, a document that protected slavery and limited federal power. Lincoln, especially in the Gettysburg Address, redefined America’s essence as found in the Declaration of Independence—the promise that “all men are created equal.” That difference was not semantic; it was central. The Confederacy clung to the past, to the world as it was; Lincoln called the nation to live up to the ideal of what it could be. The full text of the Declartion is here.

One of Meacham’s strengths is how he ties Lincoln’s moral awakening to the larger history of Christian thought in America. He shows how religion could sanctify both bondage and liberation, how the same Bible could arm both the oppressor and the emancipator. In that sense, Lincoln’s faith—quiet, unorthodox, rooted in providence rather than dogma—becomes the antidote to the self-righteous certainty of the slave theology. His moral universe was built not on divine entitlement but on human empathy. “Nothing stamped with the Divine image,” he once said, “was sent into the world to be trodden on.”

By the end of the book, Meacham has made clear that Lincoln’s greatness lay not in perfection but in growth. He evolved from a cautious lawyer defending the Union into a wartime president willing to risk everything to redeem the nation. His victory was not just military but moral: he reclaimed the American experiment from those who would have frozen it in 1787 and gave it new life under the words of 1776.

And There Was Light is a moral biography of a man who understood that freedom must be chosen and defended again and again. The slave empire dreamed by the Confederacy died on the battlefield, but its justifications linger. Meacham’s Lincoln reminds us that America’s light, however dimmed, depends on our willingness to see each person as created equal—and to act on that belief.

Poet Flyer by E. John Knapp, a Review

  E. John Knapp ’s Poet Flyer surprised me. The beginning of the story is routine and predictable as a war memoir. Whirlwind love. Whirlwin...